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"Odilon Redon, Paul Gauguin, and Primitivist Color”?

Odilon Redon admired Paul Gauguin’s use of color, which he called color “derived from another.” This notion of a distinctly foreign (as opposed to French) palette is central to both artists’ work, which features striking, nonmimetic colors. Both were reacting against Neo- Impressionist color theory as well as color theorist Charles Blanc’s xenophobic statements about the corrupting influence of color on French art. Gauguin embraced the “pure” colors of non-Western art, whereas Redon proposed a hybrid color palette blending new technologies and traditional models of color while extending French national identity to include the cultures (and colors) of colonial France.

Event Sponsor
International Cultural Studies, Mānoa Campus

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8087457575, culture@hawaii.edu